Alien Workshop - The Cinematographer Project (2012) TWS


got 2 post drafts on hold that have been waiting for this to be posted again

so i just added the hashtag #bearhellforsale to some stuff that didn’t sell at #indypopcon

if you’re interested in any of it, email me ( and we’ll figure something out.

jokes aside…
even though my biological father is an absent horse’s ass, that doesn’t mean i’m fatherless. Mad Mike has been there for my mother and I for over a decade now, and even though our family is small, i never take it for granted.

happy father’s day.
here’s a picture of my dad.

i don’t know this dude’s name but he sure does have a lot of sponsors.
he must have one fast-ass rocket.

this dude doesn’t fuck around.
i think he drives a motorcycle.

dried paint husks

i drew this hamburger dude today at #indypopcon

come see us at booth 245 tomorrow for the last day of the con! all of my stuff is gonna have liquidation prices.

catch me on the #indypopcon commercial.

if you’re in the indianapolis area i suggest you come out to the indiana convention center one day this weekend and experience popcon. its the very first year for it and i’m super excited and proud to be a part of it. i’ll be there all weekend with 30 original illustrations, a few paintings, and i’ll be drawing random stuff throughout the con.

go to for more details.

12” x 12”
acrylic on cardboard

i will also have this for sale at #indypopcon this weekend.

booth 245!

12” x 16”
acrylic on canvas board

i’ll have this for sale this weekend at #indypopcon

booth 245!

@iamryanlloyd and i were very overwhelmed and confused about all the pre- #indypopcon booth set-up stuff.

come say hi, buy some art, get creeped out. welcome to bearhell.


Tom Green Looks Back on ‘Freddy Got Fingered,’ the Most Underrated Film of All Time

In 2001, Tom Green was arguably the most popular comic performer in America. He had an MTV show, co-starred in the hit college comedy Road Trip, and somehow crafted a successful song out of the idea of putting your ass on things called “The Bum Bum Song.” He was on top of the world, but as is often the case with these things, it got real messy—like “Rip Torn getting cummed on by an elephant in Pakistan” messy.

Green starred, co-wrote, and directed Freddy Got Fingered, a movie that features Tom licking an exposed broken bone, ripping open a deer and wearing its skin like a coat, and masturbating an elephant to the aforementioned explosive climax. It was not what Hollywood insiders would call a “four-quandrant movie.” It was really the only movie Tom Green could make, because it was the only movie Tom Green wanted to make.

Now, with a new talk show on and a career touring as a stand-up comic, Tom invited me to his home in the Hollywood Hills to discuss the creation of a transgressive masterpiece. We talked over expensive Belgian beers for almost two hours, the results of which have been condensed (all of my belches have been removed) into the below.

VICE: Was there a thing in particular that you said or did that convinced people with money to make a movie that the system would never make?
Tom Green: The hardest part about Freddy Got Fingered is that we got people to go along with it. It was a combination of the success of the TV show, the success of Road Trip, and my stubbornness.

So you just say no, and no is an answer they don’t get often.
Pretty much. There’d be arguments. There’d be fights. They’d call my manager, my manager would call me, but no one wanted to say no to me at every single step of the way. But at that time, people were really excited about the TV show. They really wanted to put the movie out. So I really had some power at that time. I think a lot of people would have rolled over. When fights and arguments got to a certain point, a lot of people in that position, unlike me, had probably grown up in Hollywood and grown up around this “just say yes” mentality. You don’t argue with the studio. You just say yes. We dug our heels in and we did it.

It was the perfect storm of opportunity and desire to make a crazy movie. I was being offered these other movies. I didn’t really want to make them, but I did see the opportunity to make the movie. We would stay after work when we were at MTV in New York, my friend Derek and I. It took us about a month of writing every night. There were 10 scripts sitting on my desk from major studios, and they all wanted me to make them, these piles of paper. And I thought, why don’t we just make a pile of paper, send it to them, and say, “This is the one we want to make.” It was a very unique position to be in. Not many people get that chance to have multiple studios wanting you to make a movie with them.

As you’re sitting there with Derek and you’re going through this late at night, and you come up with ideas that are very out there, was there ever a moment where you thought, “should I jerk off the elephant or not?”
There’s always moments like that. I don’t remember specifically what they are, but I’ve never done anything that I have ethical or moral problems with. We never made fun of people who are less fortunate. We’d rather take on authority. It was more about making fun of movies. The whole point was that we were going to make each scene so over the top.


paint water.
coffee water.
same thing.